‘n Meertalige narrespel aangebied in Afrikaans en isiXhosa. Guppie bevind homself in André se kou. Die Republiek van die Kapok Boer Vereniging. Die RKBV het ontstaan na ‘n aardbeweing ‘n skeur getrek het rondom ‘n lappie aarde wat twaalf plase, ‘n kerk en ‘n foefieslide adventure park insluit. André oortuig die gemeenskap dat die mense van buite ‘anders’ is, en dat hulle moet bly op die eiland. Maar op ‘n dag maak ‘n nuwe maatjie, Nkululeko, kontak met Guppie. Die produksie sal die jongspan laat skaterlag, terwyl die produksie vrae vra wat die grootmense sal laat nadink oor ons huidige polêre samelewing.
Die Dag toe Guppie Sweef
‘Puppet Park’ is a newly written educational & musical production touching sensitive subjects regarding racism, homosexuality, family issues, abuse and bullying etc. Newly written songs will be added to assist with the message from stage. A message of love and acceptance. From the creative pen of Xander Steyn who has a list of productions that he has written, directed and choreographed – www.xanderartproductions.co.za – this is a production is a must see for every school and child in South Africa.
A collaboration between Lashona Arts and Gisele Turner of Happy-go-Lucky Productions and has resulted in an award-winning play ready to tour schools. Set in the Inanda Township, the play, Lucky Strike – which is published as a Grade Seven Set work – focuses on a young boy who is part of a child-headed household. An orphaned puppy wanders into S’fiso’s shack and changes his life. The play addresses various social issues including xenophobia, death of a parent, the vulnerability of young people as well as such positive themes as community support, the joy of owning a pet and feminine empowerment.
Using a life-size marionette for the dog and two mouth puppets the show offers a rich cultural and artistic experience as well as a meaningful message.
Look Before You Leap: Being Right deals with democracy, human rights, racism and discrimination.
Focussing in particular on the issues of diversity and inclusivity such as poverty, inequality, race, gender, language, age, and disability, discrimination on the basis of race, religion, culture, gender, sexuality, age, ability and language, as well as the concepts of institutionalised racism, xenophobia, and other forms of “othering”, are addressed.
The story pivots around the election of a school’s Student Representative Council. The Learners are introduced to the candidates standing for election, their motivation for running and each candidate’s aims and objectives outlined in their campaigns’. The Audience become the electorate, participating actively in the democratic processes that support and promote the promotion and advancement of the candidates, while simultaneously being privy to the ‘real’ experience of the identity, concerns and motivations of the characters.
Personal and individual needs are placed in a social context that encourages acceptance of diversity and fosters commitment to the values and principles entrenched in the Constitution. The show deals with social relationships and human rights and responsibilities, including how knowledge and understanding of diversity and inclusivity contributes to the development of responsible citizenship and social justice.
The aim is that audience will become (more) politically literate in terms of knowing, understanding and actively participating in democratic processes, both socially and politically. The importance of volunteerism, social service and involvement in a democratic society are emphasised, and the causes, consequences and prevention of pervasive social ills, such as HIV, and all forms of violence and abuse, are also addressed.
SENIOR PHASE (Grades 8 and 9)
- Topic 1: Development of the self in society
- Topic 2: Health, social and environmental responsibility
- Topic 3: Constitutional rights and responsibilities
FET PHASE (Grade 10 – 12)
- Topic 1: Development of the self in society
- Topic 2: Social and environmental responsibility
- Topic 3: Democracy and human rights
THE MARKET THEATRE in association with DFL presents, THE LINE.
THE LINE is the culmination of multi-award winning Actor, Director Gina Shmukler’s Masters Research on trauma and theatre making.
THE LINE is a play about the nature of human and moments in time in South Africa. Having spent several months in the townships THE LINE is constructed from a series of interviews with South Africans involved or affected by the xenophobic attacks that took place in May 2008.
THE LINE explores the fragility of goodness and questions how the attacks were born, who is responsible, what makes good people do bad things and how one crosses the line?
THE LINE is written and directed by Gina Shmukler with music by Charl-Johan Lingenfelder and Production Design by Niall Griffin.
Starring Khutjo Green and Gabi Harris.
TACTICS is a collection of daring short plays written by young South African writers who have worked with The Framework.
Five short plays are performed by performers, they will play different parts, and the plays will be performed in a different order to create a completely new whole. In keeping with the Framework’s ethos, no two performances will be the same.
All the plays are multiply cast, allowing the actors to play different roles each time. Both actors and audience formulate relationships and meaning afresh at each showing. To this end, the actors have been Framework-trained, but not rehearsed, so that they have to thrash out their virgin choices before the audience.
The Framework’s team brings this new, totally edgy, intersection between text and performance in a style that demands the following of the performers: Play yourself, play the best part of yourself, don’t ever apologise and play to win.
Sometimes, in war, famine and radical times of change, there is someone still standing. And sometimes, they are not alone. Amongst the dunes of post-2050 earth a mirage of humanity glimmers in the heat.
Directed by Helen Iskander (Nominated ABSA ‘Best Director 2009’ award at the KKNK, for The Famished Road). Designed by Jemma Kahn and performed by Kyla Davis (ImpACT award winner for Theatre 2010) and Mongi Mthombeni (NAF Golden Ovation Award Winners for The Butcher Brothers (2010) and Naledi Award winners for Best Cutting Edge production 2010) this collaboration of award-winning artists brings you an exquisitely visual new play of epic proportions.
Planet B was originally performed as part of the SA Devised Season at WITS Theatre in 2011 and subsequently went on to tour to the National Arts Festival, Grahamstown 2011 and the Out The Box Festival, Cape Town 2011 (where it received a special mention for Excellence at the Handspring Awards.) The play also formed part of the official cultural programme at the international COP17 conference on climate change in Durban (Dec 2011).
A mini festival of 7 plays from groups in the Secunda area, to be professionally adjudicated from 5-6 May 2011 and final night on sat 7th May. All performances start 6.30pm. Tickets avail from Secunda. Rep henning botha 0794962835. R20 for 3 plays nightly