Untouchable Productions presents:
BLOOD ORANGE
a new work
Directed by Greig Coetzee
Performed by Craig Morris
Scripted by Greig Coetzee, Craig Morris & Troy Blacklaws
From the Novel by Troy Blacklaws
Greig Coetzee directs the latest exciting offering by physical theatre performer Craig Morris.
The story of Gecko, a boy who has an oblique, out-of-sync way of seeing the world, of his childhood among the green hills of Natal and of his jagged school days in the Cape, where the Simonsberg drinks the Blood Orange sun at dusk. James Dean and Wilbur Smith have two-bit parts in this drama that begins with man landing on the moon and ends with Mandela riding a mermaid to freedom. A zany “Catcher in the Rye“! Festival favourite Greig Coetzee is well known to Natal audiences, and has performed extensively here over the last decade. He has recently decided to devote more time to his first love, writing, and less to performance.
Craig Morris was schooled at Port Shepstone High before studying at Rhodes University under Andrew Buckland and Prof. Gary Gordon as a founder member of The First Physical theatre Company. Festinos will remember Craig from Attachments 1-6, and Hero (directed by Andrew) which performed at Hilton last year.
Troy Blacklaws is the author of the original novel Blood Orange. He was born in Pinetown, studied at Rhodes and now teaches and writes in Germany! He recently flew out from Germany to attend the premiere performances of Blood Orange in Grahamstown!
Three very distinctive creative voices have come together to create, in collaboration, what is fast becoming a contemporary Physical Theatre classic!
THE MARKET THEATRE in association with DFL presents, THE LINE.
THE LINE is the culmination of multi-award winning Actor, Director Gina Shmukler’s Masters Research on trauma and theatre making.
THE LINE is a play about the nature of human and moments in time in South Africa. Having spent several months in the townships THE LINE is constructed from a series of interviews with South Africans involved or affected by the xenophobic attacks that took place in May 2008.
THE LINE explores the fragility of goodness and questions how the attacks were born, who is responsible, what makes good people do bad things and how one crosses the line?
THE LINE is written and directed by Gina Shmukler with music by Charl-Johan Lingenfelder and Production Design by Niall Griffin.
Starring Khutjo Green and Gabi Harris.
TACTICS is a collection of daring short plays written by young South African writers who have worked with The Framework.
Five short plays are performed by performers, they will play different parts, and the plays will be performed in a different order to create a completely new whole. In keeping with the Framework’s ethos, no two performances will be the same.
All the plays are multiply cast, allowing the actors to play different roles each time. Both actors and audience formulate relationships and meaning afresh at each showing. To this end, the actors have been Framework-trained, but not rehearsed, so that they have to thrash out their virgin choices before the audience.
The Framework’s team brings this new, totally edgy, intersection between text and performance in a style that demands the following of the performers: Play yourself, play the best part of yourself, don’t ever apologise and play to win.
- It is low cost: there is no set, no costumes, no lighting and no sound equipment. The performances can take place in any simple performance space, without having rehearsed in that space.
- Props are provided by the audience who are asked to bring things to give to the performers. These are supplied to the actor at the moment of necessity at the beginning of the act or scene – whatever they may be: a blow-up dolphin, an Alice-band, a laptop, a sock etc.
- Each actor has prepared two or more roles. Which of the two (or more) he or she will perform on the night is decided by a game of chance five minutes before the show.
- A multi-venue production style that revisits classic and other texts, in which the performance is informed by the venue, audience engagement and the performers themselves. No two shows are alike.
- The productions use adapted text, which is contextualised during performance. This makes it entirely of the moment. Its spontaneity allows each performance to be uniquely relevant for each audience and venue.
Foursight explores a High-school killing a year after the event and is told through the experiences of 4 characters. In attempting to understand how and why it happened the play cracks open the shells of our education system, bullying in schools, the media, the teenage mind and the role of absent the parent, who is willing to take responsibility? The play tackles identity, prejudice, self-image, violence, abuse and tolerance. Few stones are left unturned.
Doctor Collinger’s Funeral Service, directed by the celebrated Janet Buckland, and starring Daniel Buckland (The Travellers 2005) and Taryn Bennett (Frogs 2007). This exciting work played to packed houses, enjoyed acclaim by critics and was the talking point of the 2007 National Arts Festival. Embark on a dark, hilarious and exhilarating adventure; through death, love and laughter.
Focusing on whales, this high energy physical theatre show explores the comparisons between whales and humans and lets us in on some of the secrets of these mysterious creatures of the deep.
The wondering whale watchers are on a quest to be like whales as they swirl their audience into an exciting adventure of juggling to catch food, bubbling underwater music and receiving e-whales from a whale called Wonder.
They explore the relationship between whales and people through the ages and look at how these beautiful creatures communicate, what they eat and how they form part of the ecology of the planet.
Through this fun adventure for the whole family the wondering whale watchers discover a new way forward for the relationship between whales and people.
This show was originally created by Jungle Theatre Company in 2001.
Did you know that troubled children who have either witnessed or experienced abuse are far more likely to mistreat animals? It is hard to understand why any child would mistreat an animal. This show provides a platform for discussion which can lead to remedies as the reasons cover other problems. It also shows children how to treat and love animals.
This entertaining, interactive and informative show teaches children about how important it is to respect animals as they fall in love with our endearing puppet, Wafi.
The child is thrown out of home and meets a stray dog, Wafi, who is in the same predicament. The two form a special friendship and discover new ways to take care of each other. A villainous man, Mr Jacobs, takes them in and puts them to work stealing for him to cover their food and board. They attend an Animal Welfare meeting at the local community centre to steal as much as they can, but end up getting so involved in all that is being taught that they forget to steal. Mr Jacobs is so angry that he accompanies them to the next meeting.
The show looks at the development of these relationships and compares the various attitudes towards domestic animal welfare.
With songs, actions, interesting characters and an adorable life like dog puppet, this show has proven to be a hit with all who see it and the children fall in love with Wafi.