Tika

Hans is baie ongelukkig, want sy broers het elkeen ‘n groot erfporsie by hul pa gekry, en hy het vir Kiets gekry. ‘n Kat. Wat doen mens met ‘n kat? Of eerder, wat kan ‘n kat vir jou beteken as jy honger en werkloos is? Maar Kiets laat hom nie onderkry deur Hans se negatiwiteit nie, Hy maak ‘n plan, of drie!

Emperor Loxly’s court is in turmoil, because his designer quit the day before his birthday, and left His Highness without a new show-stopper outfit. That is, however not the only problem. The much bigger issue is Wonty, the unenthusiastic court jester, who stole the emperor’s prized watch, and is planning to take over the kingdom. The emperor’s loyal servant, Wilma, tries to maintain the status quo: keeping Loxly happy and Wonty quiet, but then Wonty is banned, Loxly almost loses his mind, and a stranger makes his appearance. Can the smooth talking, never-heard-of designer called Wontier, save the day?

In the workshop, learners evaluate all the characters in the play, and decide who displayed good leadership skills. They also apply it to their own environment and lives.

Icky Plasticky is building a huge island in the middle of the ocean. The more plastic he finds in the sea and on the beach, the bigger he gets. If he can an accomplice, the quicker his island will become bigger than the entire ocean. Maybe he can convince Zoe, the singing fish, to help him. She is a big fan of The Voice, and Icky Plastic is very good at imitating people… But what will happen to Zoe’s friend, Popper the penguin, and Miss Octopus, if the sea is full of plastic?

A poignant, bunraku-style puppet play for older children and adults based on the life of Sadako Sasaki. At two, Sadako survived the Hiroshima atom bomb but ten years later developed leukemia. A Japanese legend tells: ‘if you fold 1000 origami cranes, your wish will be granted’; Sadako began folding paper.

We leave our children a complicated legacy, growing up in a world where they face the consequences of adults’ actions: war; nuclear power; global warming; HIV. Sadako’s experience transcends culture and period and is able to speak to a contemporary South African or French youth audience. Young people who have shifted from picture books to art galleries; from nursery-rhymes to pop music. They are ready for theatre that can offer them cathartic and transformative experiences; challenge them with profoundly moving and thought provoking ideas. Sadako is real theatre for young people.

Jittery Citizens perform a “Whose Line is It Anyway?” styles show. We play short form improv games based on suggestions from the students and teachers. Totally unrehearsed, totally unscripted, totally hilarious!

Colours of the Rainbow with Princess and Frog is an interactive show specifically developed for 3 to 6 year olds that will have children singing, hopping and laughing as they learn to name the colours of the rainbow as well as a few lessons about friendship. For Ages 3 to 6.

Story:

The princess and the frog is a simple and fun story that we have used as a familiar base for the children.

We looked for the kernel of the story – a lonely frog wanting to spend time with a spoilt princess – and adapted it to be appropriate and relevant for 3-6 year olds living in South Africa in 2014. The frog doesn’t turn into a human prince in order to ‘get married and live happily ever after’. Instead, after showing the princess that he is a good friend, worth knowing despite how very different he is, she makes him a crown and he becomes her frog-prince-friend.

Key Learning:

Friendship – the challenges and fears of meeting someone new; being helpful; keeping promises; recognizing and apologizing when you have been mean; understanding and forgiving.

Diversity – noticing difference; appreciating different abilities; finding common ground.

The Rainbow – familiar objects in the colours of the rainbow; introducing violet and indigo; a song and actions to remember.

Interaction – following actions and moving through space; singing along; answering questions and suggesting solutions; facilitation of when to interact and when to be quiet; engagement of sight, hearing and touch. Involvement increases memory of the performance and its lessons as well as building confidence.

Imagination and theatre conventions – a box becomes a castle, a blue sheet is a river, a black and white set is a forest; a hoodie turns a human performer into a frog.

An adaptation of Paul Gallico’s classic novella The Snow Goose. Tells the story of storm tossed snow goose who brings together a young girl, Frith, and a reclusive hunchback outcast, Rhayader, together. Set against the second world war and the miracle of Dunkirk. The Snow Goose is a story about bravery and friendship.

Produced by KBT Productions, directed and designed by Jenine Collocott (Sunday Morning, Dirt, A Day in the Desert, High Diving), performed by James Cairns (Dirt, Three Little Pigs) and Taryn Bennett (Kaput!), adapted by the director and the cast.

A Girl Called Owl charts a friendship that starts in the heat of the Overberg summer between two ten-year-old girls, finding them again six years later. Olivia arrives in the town with her Dad; she is the new girl, the quiet girl, the weird girl. Then she meets Kay, the girl with the scar. Horwitz performs over ten characters, from the two young girls and their teenage counterparts to both their fathers and a group of boisterous men. Owl is a story about climbing trees, punching boys and kissing girls, touching sensitively, and not without humour, on issues including: coming of age – identity and choice; teen sexuality; homosexuality; domestic abuse; being/feeling different; friendship; love; violence – physical/implicit; changing relationships with authority figures/parents/teachers. The lead character is a girl so the play may be classed under ‘women’s issues’. However, the way in which she relates to the men in her environment, and they to her, makes this play important for men as well.

Written and directed by Jon Keevy, performed by Briony Horwitz, with staging by Fiona du Plooy and music composed for the show by Brydon Bolton, A Girl Called Owl premiered as Owl in 2012, receiving praise such as ‘Horwitz delivers an enchanting performance. Her versatility as an actress is astonishing…moving and evocative.” (Cape Times); “… beautifully observed…totally delicious …” (Megan’s Head) and four stars from the Cape Argus. Since then it has travelled all over SA and at the 2012 National Arts Festival it was invited to the Brighton and Prague Fringe festivals. At Brighton it gathered more praise, including two 5-star reviews and a nomination by Latest magazine as Best International Performance.