Mphilo is a country teenage, who is born as a blessing in the eyes of the family because she has albinism. Her grandmother believes that she can cure the disease her older daughter has and that Mphilo’s body parts can make the family rich. Mpilo and her mother, Nozizwe, journey to confront the myths that allow young girls to be exploited, harassed and abused by authority figures in our communities. United they can reach beyond the wall of society’s myths. Nozizwe meets up with other women from different backgrounds and through Mphilo’s journey, they are able to better articulate their own struggles. Dlamini brings her strong directorial and aesthetic signature to the work, which does not employ the use of set, but rather uses the performers’ movement and bodies to give shape to the drama.
‘Puppet Park’ is a newly written educational & musical production touching sensitive subjects regarding racism, homosexuality, family issues, abuse and bullying etc. Newly written songs will be added to assist with the message from stage. A message of love and acceptance. From the creative pen of Xander Steyn who has a list of productions that he has written, directed and choreographed – www.xanderartproductions.co.za – this is a production is a must see for every school and child in South Africa.
Does anyone have any idea what the impact of the pandemic of HIV and AIDS is having on our children and their family life? How does one approach this sensitive subject? Did you know that a live theatre show like, Tand’ Impilo can open up a safe space to discuss the subject and this forum can save lives?
Look Before You Leap: Being Right deals with democracy, human rights, racism and discrimination.
Focussing in particular on the issues of diversity and inclusivity such as poverty, inequality, race, gender, language, age, and disability, discrimination on the basis of race, religion, culture, gender, sexuality, age, ability and language, as well as the concepts of institutionalised racism, xenophobia, and other forms of “othering”, are addressed.
The story pivots around the election of a school’s Student Representative Council. The Learners are introduced to the candidates standing for election, their motivation for running and each candidate’s aims and objectives outlined in their campaigns’. The Audience become the electorate, participating actively in the democratic processes that support and promote the promotion and advancement of the candidates, while simultaneously being privy to the ‘real’ experience of the identity, concerns and motivations of the characters.
Personal and individual needs are placed in a social context that encourages acceptance of diversity and fosters commitment to the values and principles entrenched in the Constitution. The show deals with social relationships and human rights and responsibilities, including how knowledge and understanding of diversity and inclusivity contributes to the development of responsible citizenship and social justice.
The aim is that audience will become (more) politically literate in terms of knowing, understanding and actively participating in democratic processes, both socially and politically. The importance of volunteerism, social service and involvement in a democratic society are emphasised, and the causes, consequences and prevention of pervasive social ills, such as HIV, and all forms of violence and abuse, are also addressed.
SENIOR PHASE (Grades 8 and 9)
- Topic 1: Development of the self in society
- Topic 2: Health, social and environmental responsibility
- Topic 3: Constitutional rights and responsibilities
FET PHASE (Grade 10 – 12)
- Topic 1: Development of the self in society
- Topic 2: Social and environmental responsibility
- Topic 3: Democracy and human rights
Untouchable Productions presents:
a new work
Directed by Greig Coetzee
Performed by Craig Morris
Scripted by Greig Coetzee, Craig Morris & Troy Blacklaws
From the Novel by Troy Blacklaws
Greig Coetzee directs the latest exciting offering by physical theatre performer Craig Morris.
The story of Gecko, a boy who has an oblique, out-of-sync way of seeing the world, of his childhood among the green hills of Natal and of his jagged school days in the Cape, where the Simonsberg drinks the Blood Orange sun at dusk. James Dean and Wilbur Smith have two-bit parts in this drama that begins with man landing on the moon and ends with Mandela riding a mermaid to freedom. A Zany “Catcher in the Rye“!Festival favourite Greig Coetzee is well known to Natal audiences, and has performed extensively here over the last decade. He has recently decided to devote more time to his first love, writing, and less to performance.
Craig Morris was schooled at Port Shepstone High before studying at Rhodes University under Andrew Buckland and Prof. Gary Gordon as a founder member of The First Physical theatre Company. Festinos will remember Craig from Attachments 1-6, and Hero (directed by Andrew) which performed at Hilton last year.
Troy Blacklaws is the author of the original novel Blood Orange. He was born in Pinetown, studied at Rhodes and now teaches and writes in Germany! He recently flew out from Germany to attend the premiere performances of Blood Orange in Grahamstown!
Three very distinctive creative voices have come together to create, in collaboration, what is fast becoming a contemporary Physical Theatre classic!
TACTICS is a collection of daring short plays written by young South African writers who have worked with The Framework.
Five short plays are performed by performers, they will play different parts, and the plays will be performed in a different order to create a completely new whole. In keeping with the Framework’s ethos, no two performances will be the same.
All the plays are multiply cast, allowing the actors to play different roles each time. Both actors and audience formulate relationships and meaning afresh at each showing. To this end, the actors have been Framework-trained, but not rehearsed, so that they have to thrash out their virgin choices before the audience.
The Framework’s team brings this new, totally edgy, intersection between text and performance in a style that demands the following of the performers: Play yourself, play the best part of yourself, don’t ever apologise and play to win.
Foursight explores a High-school killing a year after the event and is told through the experiences of 4 characters. In attempting to understand how and why it happened the play cracks open the shells of our education system, bullying in schools, the media, the teenage mind and the role of absent the parent, who is willing to take responsibility? The play tackles identity, prejudice, self-image, violence, abuse and tolerance. Few stones are left unturned.
Every year a stork migrates from the lush Dutch landscape to the deep warm South of Africa. He knows lots of stories. One of which is the true story about Nongqawuse, a 15 year old Xhosa girl that radically changed the history of the Xhosa people. One day Nongqawuse comes back from the river. She tells that the ancestors appeared to her with the prophecy that the dead will arise, the white people and unbelievers will be driven into the sea and the once powerful Xhosa people will be as strong as before. To make this happen they have to kill all their cattle and burn all their grain. This prophecy brings hope to the people. They are tormented by colonial wars and mysterious cattle diseases. But it also brings discord among the Xhosa people, manipulation and betrayal and in the end a terrible famine. Everyone points at Nongqawuse. But was she really the cause of the disaster that ensued? Maybe this mystery can never be unravelled. Everyone has his interpretation of the facts. Will a bird with homes in both hemispheres ever be able to understand?
Red Earth is a co-production with Speeltheater Holland and premiered in Grahamstown 2006 and was later performed in the Netherlands more than 200 times. In 2013 Red Earth will be on tour in South Africa.