THE MARKET THEATRE in association with DFL presents, THE LINE.
THE LINE is the culmination of multi-award winning Actor, Director Gina Shmukler’s Masters Research on trauma and theatre making.
THE LINE is a play about the nature of human and moments in time in South Africa. Having spent several months in the townships THE LINE is constructed from a series of interviews with South Africans involved or affected by the xenophobic attacks that took place in May 2008.
THE LINE explores the fragility of goodness and questions how the attacks were born, who is responsible, what makes good people do bad things and how one crosses the line?
THE LINE is written and directed by Gina Shmukler with music by Charl-Johan Lingenfelder and Production Design by Niall Griffin.
Starring Khutjo Green and Gabi Harris.
Narrative Dreams is a nostalgic and beautiful piece exploring two very different childhoods, which share, despite their differences, a sense of isolation and loneliness. Narrative Dreams tells the coming of age story of two boys from different worlds, Morena and David, who puzzle their way through the tumultuous, playful years of childhood life in search of friendship, acceptance and wholeness. As they grow into adolescence David and Morena try to make sense of the world into which they are moving. They face challenges that accompany their journey and start to ask questions about whether they will be able to realise the dreams of their childhood.
Molalatladi is chosen by his villagers to be the new leader of the village after defeating the Ogres that terrorized and oppressed them for years. He wants to lead his village and create a better life for them but Ogres plant a seed of greed in his head. This leads to his downfall.
Children who suffer at the hands of adults often have no idea that they have rights and what better way to teach them through a story?
Vulnerable children and good adults are mesmerized by this adventure. They become emotionally involved as they watch the ‘baddies’ denying basic rights to the children they have taken prisoner. Being part of this highly interactive show, makes them feel:
- excited when Themba is told he must find his Inheritance,
- empathy when he is captured and used as a slave with other children,
- appalled by the greedy gluttons who scoff at the notion that everyone is equal in South Africa, even children,
- warmed by the loving guidance of the guardian angel,
- repulsed by the anti-heroes,
- shocked when Themba stands up for his rights and his fellow prisoners,
- angry when the bad guy tries to hurt Themba,
- protective of the children when they escape,
- and delighted when Themba triumphs and the rights of children which is their real inheritance are indelibly imprinted in their minds and emotions.
The children in the story triumph over the abusers in the end which gives them the courage they need to speak out. The more children who can see this show the better.
iLifa was inspired by the 40th anniversary of the National Arts Festival and the 20th anniversary of our Democratic Constitution.
This production deals with HIV/AIDS and tells the story of 12 year old Vuyo, a hero with a big dream. He is the best singer in his choir and when he grows up he wants to be a choir master, perhaps even lead his own choir to participate in national competitions. Vuyo has a obstacle between him and his goals – his father is very sick. With homework and the extra responsibilities of caring for his father, he has no time to attend choir practice. He deals with the teasing and bullying of other children when they find out that his father is HIV positive. To reach his goal he will have to conquer a monster (iRhamncwa), a personification of fear and shame about HIV/AIDS. The story is about resilience, courage and determination, about not giving up and striving for a dream.
Moya is a young rising soccer star, his goal scoring record has made him a hero in his township. He has an asthma attack during training and ends up in hospital, where Moya has a nightmare about a Death Monster who feeds on smoke and pollution. Unable to play soccer, Moya is dropped from his team and loses the affections of his bling-bling girlfriend. Determined to find out the causes of his misfortune, Moya embarks on a journey of discovery into the causes of air pollution and the threat of climate change. He finds ways to heal himself and his environment and destroys the Death Monster.
Moya meets different characters who give him advice and information. He confronts industrial giants and meets the municipal air quality management team and finds out about local by-laws. With a new outlook on life he finds a new sustainable lifestyle.
Moya – The Air We Breathe is 45 minutes in duration and is suitable for Grades 8-12. An accompanying drama skills workshop of 45 minutes is also available. It was developed for a high school audience for the City of Cape Town’s Environmental Resource Management Department and was performed at 10 high schools for Air Quality Week in February 2008. Provincial Department of Environmental Affairs and Development Planning commissioned a reduced version for their 2 Precious 2 Pollute Campaign in 2010.
Currently starring: Unathi Speelman, Nelson Chileshe Musonda, Mfundo Hashe and Ntombifuthi Mkhasibe.
Rubbish Wrap uses waste as a resource for the imagination. A talking tree’s leaves make homes for worms. A bottle top shark sings “Free the Sea!!” A magical musical recycling machine lets some surprises emerge at the other end.
Rubbish Wrap is a play about the creation and cycle of waste and the transfer of energy in nature’s own recycling system from one organism to another through the food chain. It contrasts the chain of consumption from raw materials to the dump sites of the industrialised world. The play enables learners to break the consumption and waste cycle through participation, fostering efforts to reduce, reuse and recycle.
Rubbish Wrap is 45 minutes in duration and is suitable for Grades 4-9.
Jungle Theatre Company was commissioned by City of Cape Town Environmental Resource Management Department to create a short 20 min play to complement the waste chapter in The Smart Living Handbook in 2008. Rubbish Wrap was toured to schools as part of the Youth Environmental Schools’ (YES) Waste Wise Week in 2008 and 2009 and was accompanied by a 45 minute workshop. For the YES Blue Flag beach programme in March 2009, which focussed on marine and coastal pollution, the play and workshop were combined in a 45 minute interactive play and returned to the Blue Flag campaign in 2011.
Currently starring:
Unathi Speelman; Mfundo Hashe and Vincent Meyburgh.
Prodigal is an entertaining, moving, absorbing one-man play telling a universally accessible story of loss, love and guilt. It is marked by a powerhouse performance from Tim Redpath, incorporating elements of mime and physical comedy. Written by Lorraine Knox and directed by Dani Marais.
Luke is a poor farmer’s son who rejects family and home in a gamble for quick cash and prestige in the seedy underbelly of Jo’burg. In this coming of age tale Tim Redpath’s split-second character changes take us on a rollercoaster ride of rebellion, pride and sacrifice.
Prodigal played an extended run to packed houses and standing ovations at the Grahamstown National Arts Festival in July 2006 and 2007. In 2009 Prodigal had successful runs in Oxford and London and at the Edinburgh Festival where Tim won the Sweet Venue Best Actor Award for his performance. In March 2010 Prodigal returned to Oxford for a run at the Oxfringe Festival.
A deftly plotted modern classic, Prodigal follows the tale of a young Eastern Cape farm boy as he decides to leave home and seek his fortune in the fast-paced city of Jo’burg, South Africa. Snappy dialogue, split-second character changes, strong physical acting and innovative directing enables one man to bring a fantastic cast of characters to life. From a story-telling Xhosa woman to a morally dubious Middle-Eastern restaurant owner to an opinionated professor to a shady gangster, Redpath’s vocal and physical dexterity takes the audience on a rollercoaster ride of pride, prejudice and sacrifice.
American Fullbright scholar Amy Biehl is killed in the Gugulethu township of Cape Town: it’s a senseless murder, carried out by four youths. The mother of one of them tries to make sense of it all by recounting events in an imaginary conversation with Amy’s mother. It’s a real ‘heart to heart’ communication of personal testimony in an imaginary response to this real event, showing how one unforgiving moment in an ordinary day had repercussions beyond the imaginable. Mother to Mother tells a powerfully moving story of forgiveness, reconciliation and understanding across cultures and continents.
Performer: Thembi Mtshali-Jones
Workshops: There will be a talk-back with learners after the show for 20-30 minutes.