A story of loss, love and hope. A young girl is missing. A distraught mother searches for her and the brother is locked in the house to keep him safe. The community rallies together and the hilarious neighbour joins the search.
This show is dedicated to all the missing children in our country.
Jade Bowers (2016 Standard Bank Young Artist, Naledi Theatre Awards Best Director for Scorched) and Ameera Patel (Naledi Theatre Awards Best Actress in a Supporting Role for Scorched) join forces to present ‘Black’. Based on CA Davids’ 2014 novel ‘The Blacks of Cape Town’, Gold Standard Bank Ovation Award-winning writer/director Penny Youngleson has written an adaptation for stage which intricately balances the poetry and pain of discovery, of unpacking history and the drama of family politics. Accomplished actress Patel tackles her first one-hander, under the directorial hand of Bowers, and with musical composition and accompaniment by Daniel Geddes.
While based abroad, historian Zara Black (Patel) learns via an officious but vague letter from the South African government, that documents once sealed and implicating her father in an act (which, while not clearly defined, was committed against the anti-apartheid movement decades earlier) will soon be released to the public. The resultant unearthing of her own past begins with Isaiah Black – the grandfather that ‘started it all’ when he stole a handful of diamonds from one of the world’s largest diamond mines in Kimberley. This act, however, is overshadowed by what the family considers his far greater crime – concealing his (mixed) race to escape the harsh realities of the mines before abandoning his mother and ultimately changing his name. His choice of surname is not without irony; because having been classified as mixed, he had passed as white, but had given rise to a line of coloured children and grandchildren. His granddaughter Zara finds herself alone and displaced in New Jersey, caught up in the excitement of an American election of a new and historic president, while trying to make sense of South Africa of the past and present: constructing a history for herself and her family from fragmented recollections and family lore.
Does anyone have any idea what the impact of the pandemic of HIV and AIDS is having on our children and their family life? How does one approach this sensitive subject? Did you know that a live theatre show like, Tand’ Impilo can open up a safe space to discuss the subject and this forum can save lives?
MEMORY is a story for all ages that speaks about the universal impulse of loving animals.
They say that somewhere in Africa the elephants have a secret grave where they go to lie down, unburden their wrinkled gray bodies, and soar away, light spirits at the end. – Robert R. McCammon
MEMORY is a truly African story. It has been created for a purpose to allow the public into why man has hunted/hunts the elephant. Using equal demographics and four part harmonies to original music throughout the show, MEMORY has been well received by all aged audiences especially for the well-known Nhlanhla Mkhwanazi’s highly detailed animal passion images. It is like going to a real life zoo in the safe space of the theatre.
When an 8 year old girl loses her beloved half brother to a car accident and she is forbidden from attending his burial because of family rivals; that moment changes how the rest of her life unfolds. By sixteen she struggles to relate to her peers and people placed in her path because she is trapped in the past. She begins to communicate with her late brother through letters she writes to him in her diary and through trying to “tap into death”, she writes him stories of how her life has been without him and wonders whether things would be different if he was around. We see her at her happiest when she is in a realm between life and death. The society perceives her as suicidal and a danger to herself but she does not really want to die. In the midst of fighting for her life her biggest wish is that she could somehow run away from life while her brother runs away from death and they could meet each other halfway, to sit at the edge of the world and confide in one another. Everyone has come to a point in their lives where they have questioned whether they would be better off in the spirit realm or if they should fight for just one more day in the physical world – Running is about that very reality.
A poignant, bunraku-style puppet play for older children and adults based on the life of Sadako Sasaki. At two, Sadako survived the Hiroshima atom bomb but ten years later developed leukemia. A Japanese legend tells: ‘if you fold 1000 origami cranes, your wish will be granted’; Sadako began folding paper.
We leave our children a complicated legacy, growing up in a world where they face the consequences of adults’ actions: war; nuclear power; global warming; HIV. Sadako’s experience transcends culture and period and is able to speak to a contemporary South African or French youth audience. Young people who have shifted from picture books to art galleries; from nursery-rhymes to pop music. They are ready for theatre that can offer them cathartic and transformative experiences; challenge them with profoundly moving and thought provoking ideas. Sadako is real theatre for young people.
An adaptation of Paul Gallico’s classic novella The Snow Goose. Tells the story of storm tossed snow goose who brings together a young girl, Frith, and a reclusive hunchback outcast, Rhayader, together. Set against the second world war and the miracle of Dunkirk. The Snow Goose is a story about bravery and friendship.
Produced by KBT Productions, directed and designed by Jenine Collocott (Sunday Morning, Dirt, A Day in the Desert, High Diving), performed by James Cairns (Dirt, Three Little Pigs) and Taryn Bennett (Kaput!), adapted by the director and the cast.
The story of Fiona and Andromeda who travel from the confines of the inner city to outer space and back… Along the way they encounter an Elephant that changes them and allows them to see the world differently and perhaps a little more.
A Day in the Desert is a collaboration between Jenine Collocott (The Snow Goose, Sunday Morning, Dirt, High Diving) from South Africa and Barbara Draeger from Germany. They studied together at Helikos International School of Theatre Creation under master pedagog Giovanni Fusetti – who is particularly renowned for his clown work. It was here that the first seeds for A Day in the Desert were planted. Jenine and Barbara then teamed up with the internationally awarded writer Nick Warren (Sunday Morning, Dirt) who came on board as dramaturge.
Written by Clinton Marius and directed by Mpume Mthombeni, this is a heartwarming story about a young Zulu herdboy who learns that the little calf he loves is to become a gift for the king. It is about Nguni cattle and their role in African society, growing up, honesty, and doing the right thing.
The production is available in English or isiZulu, as a puppet show, and also as a stand-alone reading.