A story has many feet, but poet, musician and storyteller Gavin Bonner, a Londoner living in South Africa, gives it wings.
Take a memory of being told a tale – your mother reading you a bedtime story or an elder telling you ancient anecdotes around the fire, and refresh that with a new approach.
With the audience forming an arc three rows in front of him, Bonner appeared out of the pitch black Glennie Fest Centre Hall for his last Grahamstown festival show at 10 pm with a drumming ritual.
His first tale was inspired by a Congolese friend and former band member. The next one came from the room. Much as a slam poet or rapper is often tasked with creating verses out of of a word or situation, Bonner asked for random words from the audience and turned them into an improvised tale rich in rhyme.
The improvisation may go all over the place and take many forms, from being funny to poetic, but it always returns to its starting point and essence.
Here, Julius Malema can be a closet guitarist and Mugabe can be dethroned by the double sting of a bumble bee. The novelty is that you are not only a listener but a collaborator too.
When you hear your word settling in its character a warm spread of pride dances in your belly.
The other stories Bonner told are learnt. Some have moral lessons, some are big and others shorter than a minute.
Some are his experiences from his travels around the world. The drumming he uses as interludes has stories of its own. He plays interesting percussion such as the Moroccan drum (Bendir) and the Riq from Egypt which resembles a tambourine.
Now living in Cape Town, Bonner has been telling stories in this way for about nine months and he’s been a musician and poet for most of his life.
He combines, honours and subverts genres and has created a delightful style of his own that connects simply yet deeply.
He is planning a national tour and will be hitting Joburg stages soon with his new brand of art. For more information go to www.gavinbonner.com and check out his Facebook group, Storytelling South Africa, whch includes him and other storytellers.
Untouchable Productions presents:
BLOOD ORANGE
a new work
Directed by Greig Coetzee
Performed by Craig Morris
Scripted by Greig Coetzee, Craig Morris & Troy Blacklaws
From the Novel by Troy Blacklaws
Greig Coetzee directs the latest exciting offering by physical theatre performer Craig Morris.
The story of Gecko, a boy who has an oblique, out-of-sync way of seeing the world, of his childhood among the green hills of Natal and of his jagged school days in the Cape, where the Simonsberg drinks the Blood Orange sun at dusk. James Dean and Wilbur Smith have two-bit parts in this drama that begins with man landing on the moon and ends with Mandela riding a mermaid to freedom. A zany “Catcher in the Rye“! Festival favourite Greig Coetzee is well known to Natal audiences, and has performed extensively here over the last decade. He has recently decided to devote more time to his first love, writing, and less to performance.
Craig Morris was schooled at Port Shepstone High before studying at Rhodes University under Andrew Buckland and Prof. Gary Gordon as a founder member of The First Physical theatre Company. Festinos will remember Craig from Attachments 1-6, and Hero (directed by Andrew) which performed at Hilton last year.
Troy Blacklaws is the author of the original novel Blood Orange. He was born in Pinetown, studied at Rhodes and now teaches and writes in Germany! He recently flew out from Germany to attend the premiere performances of Blood Orange in Grahamstown!
Three very distinctive creative voices have come together to create, in collaboration, what is fast becoming a contemporary Physical Theatre classic!
What goes UP… is a playful, gentle and explorative production devised to capture the imagination of young children aged 3-7 years old. Through the art of gentle clowning and experiential children’s theatre, the show investigates the physical and emotional scopes of all things Up and Down. The costumes will captivate, the performers will enchant and the story will allow children the opportunity to connect with the emotions they experience in their worlds. Created for Deaf Children, and using South African Sign Language, the play is also accessible and magical to hearing children.
The Magic Shell is set in ancient times on the Wild Coast, before people knew how to tell stories. Manzandaba and Zenzele, a married couple, are two of the first people. They go on an adventure in search of stories that lead to magical creatures under the ocean…
African stories and languages don’t get enough attention with entertainment flooded by Western culture. However, our rich heritage of folktales offer life lessons through the portrayal of human/animal characters. Children have an intuitive connection with wild animals and different languages. Their imaginations are ready to make the connections between wild life and human characteristics. These heart connections are fostered by this portrayal of a folktale.
In The Magic Shell the theatrical representations draw young children into a world where animals and humans are connected. Their imaginations become rooted in culture and nature. They are prepared to make the folktale their own. They become ready to tell this original story in their own words and in their mother tongue.
The Magic Shell is 45 minutes in duration and suitable for children aged 4 and up (grades R to 3).
An accompanying workshop is also available.
The Magic Shell (formerly How Stories Began) made its debut at the Masque Theatre during the July school holidays in 2015 and was performed at the Cape Town Fringe Festival; RASA and the Storievertelfees during September. More recently, The Magic Shell was performed as part of the Muizenberg Festival in 2017.
A girl discovers a world under the sea: Riding on the spotty whale shark, chatting with the clever hammer head and singing with the colourful cat shark. Danger lurks around every corner and she learns some secrets of the deep.
Partly based on Lesley Rochat’s ‘Sue Finds Happy Eddie the Shy Shark’, Shark Dreams tells a local tale about a girl whose love for the sea takes her on a magical shark adventure. Shark Dreams showcases the many different types of sharks and educates young people about ocean and beach safety including: the role of the shark spotters in protecting beach goers; the meaning of the flags on the beaches; critical safety tips when swimming and using the beach. The play creates understanding and awareness about the important role sharks play in marine ecosystems and the food chain and dispels myths created through misinformation and hearsay.
Shark Dreams is 45 minutes in duration and is suitable for Grades 4-9
“Exquisite costumes and brilliant acting skills.” Strand Moslem School
Shark Dreams was created in 2009 in conjunction with the Save Our Seas Shark Centre for City of Cape Town’s Environmental Resource Management Department’s Youth Environmental Schools (YES) programme. Shark Dreams was rolled out as an outreach programme to schools in Cape Town’s south peninsula; performed for World Environment Week and Marine Week in 2009 as well as the Blue Flag Beach campaign in 2010. The AfriOceans Conservation Alliance has also provided funding for community and schools outreach performances. Shark Dreams has also been performed at the Marine and Coastal Educators Network conferences where it has received a standing ovation.
Currently starring:
Nimray Kruger, Unathi Speelman, Simric Yarrow and Vincent Meyburgh.
Moya is a young rising soccer star, his goal scoring record has made him a hero in his township. He has an asthma attack during training and ends up in hospital, where Moya has a nightmare about a Death Monster who feeds on smoke and pollution. Unable to play soccer, Moya is dropped from his team and loses the affections of his bling-bling girlfriend. Determined to find out the causes of his misfortune, Moya embarks on a journey of discovery into the causes of air pollution and the threat of climate change. He finds ways to heal himself and his environment and destroys the Death Monster.
Moya meets different characters who give him advice and information. He confronts industrial giants and meets the municipal air quality management team and finds out about local by-laws. With a new outlook on life he finds a new sustainable lifestyle.
Moya – The Air We Breathe is 45 minutes in duration and is suitable for Grades 8-12. An accompanying drama skills workshop of 45 minutes is also available. It was developed for a high school audience for the City of Cape Town’s Environmental Resource Management Department and was performed at 10 high schools for Air Quality Week in February 2008. Provincial Department of Environmental Affairs and Development Planning commissioned a reduced version for their 2 Precious 2 Pollute Campaign in 2010.
Currently starring: Unathi Speelman, Nelson Chileshe Musonda, Mfundo Hashe and Ntombifuthi Mkhasibe.
A family of rampant consumers are struggling with power cuts. Father Sun speaks to them with a warm voice. He shows them how they are destroying mother earth by burning the ancient sunlight of Father Sun. They learn to use reduce consumption, use renewable energy and heal mother earth before it is too late.
Father Sun is a play about energy and climate change. The sun explains how air pollution from generation of electricity and people’s day to day reliance on oil are forcing climate change upon the earth. He reasons that climate change will have a dramatic impact upon the unique biodiversity of the Cape Town metropolitan area and in turn how this will impact upon communities in the form of floods, drought; natural disasters and subsequently food and water security. The family learns about alternative energy sources (wind; wave and solar power) and how to change their daily lifestyle. Father Sun uses images music and audience participation to make the learning experience fun.
Father Sun is 45 minutes in duration and is suitable for Grades 4-9. An accompanying drama skills workshop is also available.
Created in 2008, Father Sun was rolled out as part of Climate Change and Energy Week and Marine and Climate Change Week for the City’s Youth Environmental Schools programme that year and with City of Cape Town’s Disaster Risk Management in 2009 and 2010.
Currently starring:
Mfundo Hashe, Nimray Kruger, Unathi Speelman Vincent Meyburgh and Simric Yarrow.
Umlambo Wobomi /River Of Life is an African fairy tale about a rural tribe and their special princess Mamlambo, who all live by a beautiful river full of magical creatures. Set in an idyllic rural village where people live and work with nature and whose local river provides for their every need, River Of Life is a story of disconnection in a changing world. With her community in crisis, Mamlambo finds the courage to travel a path alone. She faces a hot dry desert, a teaming jungle and climbs the tallest mountain, all to find the Sangoma, save the river and her village.
Umlambo Wobomi /River Of Life is 40 minutes in duration and is best suited for Grades 4 – 7. An accompanying workshop is also available.
Umlambo Wobomi /River Of Life was the first production workshopped by the Laduma Jungle trainee team from Ocean View, Langa and Khayelitsha. Vincent Meyburgh directed the play with assistance from Nimray Kruger and Mfundo Hashe. It was first performed for the City of Cape Town’s National Water Week programme at Ratanga Junction in March 2011 and went onto two public run at the Masque Theatre in 2011 and 2012. It was part of the ASSITEJ SA Family Venue at the National Arts Festival in 2013, toured the West Coast Community at the start of March 2016 and was performed at the Masque Theatre during Water Week 2016.
A Dog’s Life broaches the specific needs of domestic animals in terms of their day-to-day care through dance and tri-lingual song. The play delivers important messages about the practical aspects of animal welfare.
A Dog’s Life is 45 minutes long and suitable for Grades 1-3. An accompanying drama skills workshop is also available.
As a response to increasing concerns about the plight of urban domestic animals, Jungle Theatre Company developed A Dog’s Life, which was adopted by International Fund for Animal Welfare as part of their Companion Animal Programme. It was rolled out through twinning programme at the Baxter Theatre in 2006 – 2008 and toured communities in Soweto in 2007 and 2008. Recast in 2010 with 6 Laduma Jungle trainees A Dog’s Life was performed in 2010 Mdzananda Animal Clinic, Camp Footprints and other community events. In 2012 and 2013 the show went out on the road to schools and communities, including Paternoster, with IFAW and to Stellenbosch with Department of Agriculture. In 2014 it was rolled out as a twinning programme at the Baxter and another twinnings programme just took place this June 2017 at the Masque Theatre.