In the beginning the first ever cursed was when God Cursed Adam and Eve after the forbidden fruit saga, but now allow us to take you on the journey of the supernatural curse that was altered by the great one Nkwenhle and NQULABETHU when cursing this family from eNtathakusa “Hlase Family” with the “Delunga”, a spirit that feeds on female twins.
“This supernatural power play will invoke the whole place, whole play, and characters CURSE. Two characters, break and take us through the family curse, a secret that builds up and takes down the family of Hlase twins. This play will be about two twins Cebisa (boy) and Nongcebo (girl), born and bred eNtathakusa.
“It is all about the twins who did not know that they were related because when their young their parents separated after having a fight, they went or took different parts, separated some of the things and some of them were Cebisa and Nongcebo. The mother natured Nongcebo and the father groomed Cebisa when they were both eight months into the world.
“They grew apart, lived different lives, and adopted different styles up until they met up when they were old and fell in love, They take us into this relationship phase they just started only to find out, that they started their family too, and have their twins without knowing that they are related.
“This show will be narrated by our storytellers which is Nkwenhle and NQULABETHU who has so much knowledge and knows so much about THE CURSE. Things keep on getting worse and more cursed because they only realise that at the end they are related and they are cursed with the spirit of Delunga a spirit that feeds on female twins. We will be introduced to challenges and different ways to resolve challenges but the question is, will these challenges be solved since they were CURSED at the beginning?”
This is a multiligual production about elderley abuse, origianlly created as an educational theatre piece for elderley of the Stellenbosch community. This play is a conversation between two psychology students and their grandmothers. Cindy grapples with the fact that her makhulu might not be as well as she thought she was, while Mandy hears stories from how her oumies friends suffer what sounds abuse in various ways, financially & physically.
Human beans, come to the theatre and allow your imagination to take flight! Follow Roald Dahl as a young boy and journey with him through Mrs Pratchett’s sweet shop, his early school years and meet his favourite teacher. Plunge into scrumdiddlyumtious worlds of dirty beasts; filthsome creatures, crocky-wocks and vitches. Get ready to take a leap, a jump, and fly with us through Dahl’s magical worlds.
A story of loss, love and hope. A young girl is missing. A distraught mother searches for her and the brother is locked in the house to keep him safe. The community rallies together and the hilarious neighbour joins the search.
This show is dedicated to all the missing children in our country.
‘Puppet Park’ is a newly written educational & musical production touching sensitive subjects regarding racism, homosexuality, family issues, abuse and bullying etc. Newly written songs will be added to assist with the message from stage. A message of love and acceptance. From the creative pen of Xander Steyn who has a list of productions that he has written, directed and choreographed – www.xanderartproductions.co.za – this is a production is a must see for every school and child in South Africa.
Jade Bowers (2016 Standard Bank Young Artist, Naledi Theatre Awards Best Director for Scorched) and Ameera Patel (Naledi Theatre Awards Best Actress in a Supporting Role for Scorched) join forces to present ‘Black’. Based on CA Davids’ 2014 novel ‘The Blacks of Cape Town’, Gold Standard Bank Ovation Award-winning writer/director Penny Youngleson has written an adaptation for stage which intricately balances the poetry and pain of discovery, of unpacking history and the drama of family politics. Accomplished actress Patel tackles her first one-hander, under the directorial hand of Bowers, and with musical composition and accompaniment by Daniel Geddes.
While based abroad, historian Zara Black (Patel) learns via an officious but vague letter from the South African government, that documents once sealed and implicating her father in an act (which, while not clearly defined, was committed against the anti-apartheid movement decades earlier) will soon be released to the public. The resultant unearthing of her own past begins with Isaiah Black – the grandfather that ‘started it all’ when he stole a handful of diamonds from one of the world’s largest diamond mines in Kimberley. This act, however, is overshadowed by what the family considers his far greater crime – concealing his (mixed) race to escape the harsh realities of the mines before abandoning his mother and ultimately changing his name. His choice of surname is not without irony; because having been classified as mixed, he had passed as white, but had given rise to a line of coloured children and grandchildren. His granddaughter Zara finds herself alone and displaced in New Jersey, caught up in the excitement of an American election of a new and historic president, while trying to make sense of South Africa of the past and present: constructing a history for herself and her family from fragmented recollections and family lore.
The show looks at the never ending battle between the queens wives, the disruptive lack of modesty in the laymen, the bad luck that seems to follow the heir and the laughable bad decisions made by the king’s close friends. This seeks to show the similarities between the king and queens and the so called commoner, the most evident similarity being the chaos that comes with the every day life. So maybe we are all kings and queens with our portion of chaos?
The traditional African stories are told using physical and vocal gestures to elevate and honor the ancient art of oral tradition. The storyteller, the bare stage and the graceful gestures will take audiences on imaginative trips across the African continent, moving from Nigeria to Lesotho and every place in between.
A surreal and larger than life outdoor performance tells the story of a girl through movement and dance. Hiding in a tree house, she cries herself to sleep and dreams the sounds of her garden, which turn into music. She dreams of two old giant butterflies dancing a dance of love. The male catches the pregnant female’s eggs and hangs them on a leaf where they hatch and grow into giant caterpillars. A hungry black crow is hunting and the haunted girl wakes up inside her dream to challenge the predator and protect the miracle of life.
Butterfly Dreams is the creation of Jungle Theatre Company’s Laduma Jungle team and was developed as the final part of a National Lottery Distribution Trust Fund funded trained programme. It was directed by Vincent Meyburgh with set and costume design by Monique Fagan of Junkanew. Through the actors’ involvement in choreography, writing, composing, designing and making, Butterfly Dreams fosters a closer link between the actors’ experience, characters’ stories, the music and creation of images. The production was performed as community event at the start of the school holidays in December 2011. It was partly commissioned for the KKNK in 2012 and was staged at a number of festivals during 2012 i.e. Khayelitsha Cocktale Festival, International Kite Festival, Harfield Village Carnival and Hout Bay Green Faire. With funding received from the National Arts Council and Department of Cultural Affairs and Sport the show was recently re-developed during 2015 and performed in Muizenberg early December 2015 and the Company Gardens in March 2016. During February 2017 Butterfly Dreams was performed as part of JTC’s Our Beaches Our Stories project which brought public art performances to public recreational spaces i.e. Monwabisi, Strandfontein and Muizenberg Pavilions, promoting natural and cultural heritage.
