Four white-collar workers. Four rungs of the corporate ladder. One objective.
OfficeBLOCK follows four co-workers in their individual battle for power within the cogs of the corporate world. Trading in currencies of greed and self-promotion, they all make their plays at moving up the food chain…until being faced with the same question: how far would they go to get what they want?
Taking on life around the office water cooler in a series of captivating vignettes that lift the lid on the tyranny of conformity and the culture of corporate greed. The series is set in the seemingly familiar world of white-collar workers and dreary office surroundings where everything is business as usual…or is it? In a battle between personal and personnel, four co-workers negotiate life within the corporation, and the audience watches as things unravel at the suit-seams when the hunger for greed and power leads to the point of no return.
Featuring FTH:K’s signature brand of visual theatre, OfficeBLOCK is a rollercoaster of dark humour and non-verbal narrative, taking a poignant journey into the politics of people.
Devised by the ensemble under the direction of Jayne Batzofin
Featuring Christopher Beukes, Asanda Rilityana, Sinethemba Mgebisa, Marlon Snyders
Directed by Jayne Batzofin
Set and costume design by Jayne Batzofin
Emperor Loxly’s court is in turmoil, because his designer quit the day before his birthday, and left His Highness without a new show-stopper outfit. That is, however not the only problem. The much bigger issue is Wonty, the unenthusiastic court jester, who stole the emperor’s prized watch, and is planning to take over the kingdom. The emperor’s loyal servant, Wilma, tries to maintain the status quo: keeping Loxly happy and Wonty quiet, but then Wonty is banned, Loxly almost loses his mind, and a stranger makes his appearance. Can the smooth talking, never-heard-of designer called Wontier, save the day?
In the workshop, learners evaluate all the characters in the play, and decide who displayed good leadership skills. They also apply it to their own environment and lives.
Do you know why trees are important and do our children know? This show teaches, in a fun way, about why trees are important, what they give us and why they should be conserved. This hilarious show is the perfect, ‘fun’draiser!
Our story takes place in a small, tranquil village where the villagers are working hard to beautify the area in preparation for a wedding ceremony. However, peace is disturbed and the ceremony disrupted, when greedy developers swoop in and begin to wreak havoc on the land. As more trees are chopped down and building continues, Mother Nature has to step in and through the voice of an old man, a great magical tree, airs her concerns to the developers and encourages them to change their ways before it is too late…The Tree Show and workshop program celebrates indigenous trees as a vital part of our existence. This fun and interactive show uses song, dance and drama to engage the audience in a lively and interactive storytelling experience. We look at current threats that trees face in the light of unsustainable development and conclude that we, as custodians of the planet, should work together with nature instead of against her.
The show is completed with an interactive tree planting workshop at the venue where the show is performed. Children from the audience become involved in the planting of an indigenous tree that they will then be able to watch and nurture as it grows over the years. This tree stands as a reminder of the importance of trees to life on the planet.
A girl discovers a world under the sea: Riding on the spotty whale shark, chatting with the clever hammer head and singing with the colourful cat shark. Danger lurks around every corner and she learns some secrets of the deep.
Partly based on Lesley Rochat’s ‘Sue Finds Happy Eddie the Shy Shark’, Shark Dreams tells a local tale about a girl whose love for the sea takes her on a magical shark adventure. Shark Dreams showcases the many different types of sharks and educates young people about ocean and beach safety including: the role of the shark spotters in protecting beach goers; the meaning of the flags on the beaches; critical safety tips when swimming and using the beach. The play creates understanding and awareness about the important role sharks play in marine ecosystems and the food chain and dispels myths created through misinformation and hearsay.
Shark Dreams is 45 minutes in duration and is suitable for Grades 4-9
“Exquisite costumes and brilliant acting skills.” Strand Moslem School
Shark Dreams was created in 2009 in conjunction with the Save Our Seas Shark Centre for City of Cape Town’s Environmental Resource Management Department’s Youth Environmental Schools (YES) programme. Shark Dreams was rolled out as an outreach programme to schools in Cape Town’s south peninsula; performed for World Environment Week and Marine Week in 2009 as well as the Blue Flag Beach campaign in 2010. The AfriOceans Conservation Alliance has also provided funding for community and schools outreach performances. Shark Dreams has also been performed at the Marine and Coastal Educators Network conferences where it has received a standing ovation.
Nimray Kruger, Unathi Speelman, Simric Yarrow and Vincent Meyburgh.
A family of rampant consumers are struggling with power cuts. Father Sun speaks to them with a warm voice. He shows them how they are destroying mother earth by burning the ancient sunlight of Father Sun. They learn to use reduce consumption, use renewable energy and heal mother earth before it is too late.
Father Sun is a play about energy and climate change. The sun explains how air pollution from generation of electricity and people’s day to day reliance on oil are forcing climate change upon the earth. He reasons that climate change will have a dramatic impact upon the unique biodiversity of the Cape Town metropolitan area and in turn how this will impact upon communities in the form of floods, drought; natural disasters and subsequently food and water security. The family learns about alternative energy sources (wind; wave and solar power) and how to change their daily lifestyle. Father Sun uses images music and audience participation to make the learning experience fun.
Father Sun is 45 minutes in duration and is suitable for Grades 4-9. An accompanying drama skills workshop is also available.
Created in 2008, Father Sun was rolled out as part of Climate Change and Energy Week and Marine and Climate Change Week for the City’s Youth Environmental Schools programme that year and with City of Cape Town’s Disaster Risk Management in 2009 and 2010.
Mfundo Hashe, Nimray Kruger, Unathi Speelman Vincent Meyburgh and Simric Yarrow.
It’s Valentines day, the staff are all too ready to check out, the chef runs the kitchen like an out of service U boat and the stock is disappearing like textbooks in Limpopo. With his wife on his case like Gordon Ramsey on a dirty kitchen, Bronwyn, the restaurant owner is on the verge of hanging up the closed sign for good. And then things get strange…
Skilfully crafted by Jaques de Silva, Ryan Dittmann creates the world of a restaurant and kitchen while seamlessly transforming from character to character to unveil this wacky story.
Umlambo Wobomi /River Of Life is an African fairy tale about a rural tribe and their special princess Mamlambo, who all live by a beautiful river full of magical creatures. Set in an idyllic rural village where people live and work with nature and whose local river provides for their every need, River Of Life is a story of disconnection in a changing world. With her community in crisis, Mamlambo finds the courage to travel a path alone. She faces a hot dry desert, a teaming jungle and climbs the tallest mountain, all to find the Sangoma, save the river and her village.
Umlambo Wobomi /River Of Life is 40 minutes in duration and is best suited for Grades 4 – 7. An accompanying workshop is also available.
Umlambo Wobomi /River Of Life was the first production workshopped by the Laduma Jungle trainee team from Ocean View, Langa and Khayelitsha. Vincent Meyburgh directed the play with assistance from Nimray Kruger and Mfundo Hashe. It was first performed for the City of Cape Town’s National Water Week programme at Ratanga Junction in March 2011 and went onto two public run at the Masque Theatre in 2011 and 2012. It was part of the ASSITEJ SA Family Venue at the National Arts Festival in 2013, toured the West Coast Community at the start of March 2016 and was performed at the Masque Theatre during Water Week 2016.