Hamlet (by the Framework)

It is low cost: there is no set, no costumes, no lighting and no sound equipment. The performances can take place in any simple performance space, without having rehearsed in that space.
Props are provided by the audience who are asked to bring things to give to the performers. These are supplied to the actor at the moment of necessity at the beginning of the act or scene – whatever they may be: a blow-up dolphin, an Alice-band, a laptop, a sock etc.
Each actor has prepared two or more roles. Which of the two (or more) he or she will perform on the night is decided by a game of chance five minutes before the show.
A multi-venue production style that revisits classic and other texts, in which the performance is informed by the venue, audience engagement and the performers themselves. No two shows are alike.
The productions use adapted text, which is contextualised during performance. This makes it entirely of the moment. Its spontaneity allows each performance to be uniquely relevant for each audience and venue.

Mat is a successful photographer who has his life exactly how he likes it – ordered, neat, and beautifully composed – until the day his girlfriend tells him she is pregnant. In an attempt to process this disturbing information he goes out for a run. Straying from his regular route, he ventures into a strange part of the city where he makes a gruesome discovery that changes everything.

Foursight explores a High-school killing a year after the event and is told through the experiences of 4 characters. In attempting to understand how and why it happened the play cracks open the shells of our education system, bullying in schools, the media, the teenage mind and the role of absent the parent, who is willing to take responsibility? The play tackles identity, prejudice, self-image, violence, abuse and tolerance. Few stones are left unturned.

Every year a stork migrates from the lush Dutch landscape to the deep warm South of Africa. He knows lots of stories. One of which is the true story about Nongqawuse, a 15 year old Xhosa girl that radically changed the history of the Xhosa people. One day Nongqawuse comes back from the river. She tells that the ancestors appeared to her with the prophecy that the dead will arise, the white people and unbelievers will be driven into the sea and the once powerful Xhosa people will be as strong as before. To make this happen they have to kill all their cattle and burn all their grain. This prophecy brings hope to the people. They are tormented by colonial wars and mysterious cattle diseases. But it also brings discord among the Xhosa people, manipulation and betrayal and in the end a terrible famine. Everyone points at Nongqawuse. But was she really the cause of the disaster that ensued? Maybe this mystery can never be unravelled. Everyone has his interpretation of the facts. Will a bird with homes in both hemispheres ever be able to understand?

Red Earth is a co-production with Speeltheater Holland and premiered in Grahamstown 2006 and was later performed in the Netherlands more than 200 times. In 2013 Red Earth will be on tour in South Africa.

Doctor Collinger’s Funeral Service, directed by the celebrated Janet Buckland, and starring Daniel Buckland (The Travellers 2005) and Taryn Bennett (Frogs 2007). This exciting work played to packed houses, enjoyed acclaim by critics and was the talking point of the 2007 National Arts Festival. Embark on a dark, hilarious and exhilarating adventure; through death, love and laughter.

Children who suffer at the hands of adults often have no idea that they have rights and what better way to teach them through a story?

Vulnerable children and good adults are mesmerized by this adventure. They become emotionally involved as they watch the ‘baddies’ denying basic rights to the children they have taken prisoner. Being part of this highly interactive show, makes them feel:

excited when Themba is told he must find his Inheritance,
empathy when he is captured and used as a slave with other children,
appalled by the greedy gluttons who scoff at the notion that everyone is equal in South Africa, even children,
warmed by the loving guidance of the guardian angel,
repulsed by the anti-heroes,
shocked when Themba stands up for his rights and his fellow prisoners,
angry when the bad guy tries to hurt Themba,
protective of the children when they escape,
and delighted when Themba triumphs and the rights of children which is their real inheritance are indelibly imprinted in their minds and emotions.

The children in the story triumph over the abusers in the end which gives them the courage they need to speak out. The more children who can see this show the better.

iLifa was inspired by the 40th anniversary of the National Arts Festival and the 20th anniversary of our Democratic Constitution.

Sometimes, in war, famine and radical times of change, there is someone still standing. And sometimes, they are not alone. Amongst the dunes of post-2050 earth a mirage of humanity glimmers in the heat.

Directed by Helen Iskander (Nominated ABSA ‘Best Director 2009’ award at the KKNK, for The Famished Road). Designed by Jemma Kahn and performed by Kyla Davis (ImpACT award winner for Theatre 2010) and Mongi Mthombeni (NAF Golden Ovation Award Winners for The Butcher Brothers (2010) and Naledi Award winners for Best Cutting Edge production 2010) this collaboration of award-winning artists brings you an exquisitely visual new play of epic proportions.

Planet B was originally performed as part of the SA Devised Season at WITS Theatre in 2011 and subsequently went on to tour to the National Arts Festival, Grahamstown 2011 and the Out The Box Festival, Cape Town 2011 (where it received a special mention for Excellence at the Handspring Awards.) The play also formed part of the official cultural programme at the international COP17 conference on climate change in Durban (Dec 2011).

Prodigal is an entertaining, moving, absorbing one-man play telling a universally accessible story of loss, love and guilt. It is marked by a powerhouse performance from Tim Redpath, incorporating elements of mime and physical comedy. Written by Lorraine Knox and directed by Dani Marais.

Luke is a poor farmer’s son who rejects family and home in a gamble for quick cash and prestige in the seedy underbelly of Jo’burg. In this coming of age tale Tim Redpath’s split-second character changes take us on a rollercoaster ride of rebellion, pride and sacrifice.

Prodigal played an extended run to packed houses and standing ovations at the Grahamstown National Arts Festival in July 2006 and 2007. In 2009 Prodigal had successful runs in Oxford and London and at the Edinburgh Festival where Tim won the Sweet Venue Best Actor Award for his performance. In March 2010 Prodigal returned to Oxford for a run at the Oxfringe Festival.

A deftly plotted modern classic, Prodigal follows the tale of a young Eastern Cape farm boy as he decides to leave home and seek his fortune in the fast-paced city of Jo’burg, South Africa. Snappy dialogue, split-second character changes, strong physical acting and innovative directing enables one man to bring a fantastic cast of characters to life. From a story-telling Xhosa woman to a morally dubious Middle-Eastern restaurant owner to an opinionated professor to a shady gangster, Redpath’s vocal and physical dexterity takes the audience on a rollercoaster ride of pride, prejudice and sacrifice.

American Fullbright scholar Amy Biehl is killed in the Gugulethu township of Cape Town: it’s a senseless murder, carried out by four youths. The mother of one of them tries to make sense of it all by recounting events in an imaginary conversation with Amy’s mother. It’s a real ‘heart to heart’ communication of personal testimony in an imaginary response to this real event, showing how one unforgiving moment in an ordinary day had repercussions beyond the imaginable. Mother to Mother tells a powerfully moving story of forgiveness, reconciliation and understanding across cultures and continents.

Performer: Thembi Mtshali-Jones

Workshops: There will be a talk-back with learners after the show for 20-30 minutes.