You hear music everywhere around you: on radio, on the streets, in church, but do you know how music is made? Have you ever attended a real concert? With this project, we bring jazz music to schools. Children experience South African jazz during a real concert. They get to meet and greet the musicians and their instruments. There is also room for any questions you always wanted to ask. This concert is not only great fun for children, but also for their teachers and parents. So let’s all swing to South African jazz classics and the latest songs.
Optionally the children can be prepared for this experience by a music introduction class by one of our music teachers.
“As the Luthuli Museum we are thankful for the opportunity to have partnered with iSupport Music Business in conducting the fun and educational day for the children of Groutville. The programme allowed the museum an opportunity to uphold one of Chief Albert Luthuli’s values to enhance education. The programme proved to be a very fun filled day and was enjoyed as an extra mural activity for children as they learned a lot on this day.” Luthuli Museum
Themes: introduction to music and musicians & water preservation.
Talented saxophone player Bongani the Elephant has a dream of starting a band with other jungle animals. His challenge is that there is a draught in the jungle, because it has not rained a lot and the humans are using up all the water. Making music makes you very thirsty! Bongani takes you on a journey of starting his first band, from finding his band members to composing the first songs.
‘Puppet Park’ is a newly written educational & musical production touching sensitive subjects regarding racism, homosexuality, family issues, abuse and bullying etc. Newly written songs will be added to assist with the message from stage. A message of love and acceptance. From the creative pen of Xander Steyn who has a list of productions that he has written, directed and choreographed – www.xanderartproductions.co.za – this is a production is a must see for every school and child in South Africa.
Nina has just woken from a bad dream. Or was it a dream? Either way, she can’t fall back asleep in case it comes back. But it’s bedtime now and the dark is making her feel strange, too… How is she going to navigate through this dark night and the nightmare stuck in her head?
Night Light uses live music, video projection, shadows, light-play and live performance to explore a night in the life of Nina, a young girl trying to deal with the thoughts and feelings which are haunting her as she lies in bed. The play evokes those moments when we feel alone: afraid of the dark, or going through life changes and unable to express ourselves. Aimed at 9-12 year olds who are at a delicate time, caught between the expectations of growing up and still haunted by childhood fears, this magical and mysterious piece encourages children to listen to their inner voice.
uNontombi is a traditional musical play which portrays two men fighting over a beautiful woman in a Zulu village. The young man Mkhonto make use of traditional powers to win the love of uNontombi as our story continues the audience witnesses a crucial turn where love is taking its direction. we see mbuzini a close friend of Mkhonto betrays him by proposing uNontombi and only to find out that she loves Mbuzini more than Mkhonto.
National Children’s Theatre (NCT), kick starts its 2017 season with an upbeat family musical that has a simple but heartwarming message: Accept the skin you’re in! Step inside the world of Freckleface Strawberry who will do anything to get rid of her freckles. This funny, witty, entertaining production will run at NCT from 14 March during school holidays.
This production has been made possible by the last part of a grant of R2m from the National Lotteries Commission (NLC).
Based on the best-selling book by actor, Julianne Moore, Freckleface Strawberry The Musical tells the story of a young, red-haired girl with freckles, who is being teased by her school-friends. She tries everything to make herself look like others as she is so embarrassed by the spots that won’t rub off, the hair colour that won’t wash out, the makeup that doesn’t work. In desperation, she comes to school in a ski mask. With the assistance of her helpful and loving friends, Freckleface eventually learns that everyone is different and that’s what makes everyone special.
The delightful songs: Little Freckleface Strawberry, I Like Danny, Kid in the Mask, Be Yourself, Basketball, When You Got Friends, will have the audience bopping on their seats. The high upbeat energy of this feel good show with memorable characters will touch your heart, charm you with its message and have you dancing out of the theatre at its conclusion.
Professional talented actors will keep both children and adults delighted and enthralled. The message is friendship, acceptance and discovering that being different is what makes us unique.
The creative team includes Artistic Director: Francois Theron, Musical Director: Rowan Bakker, Original Choreography: Shelly Adriaanzen and restaged by Phillida Le Roux, Costume Design: Sarah Roberts, Set Design: Stan Knight and Lighting Design: Jane Gosnell.
An educational enrichment guide is available for schools to use as support material in the classroom.
When: 14 March to 13 April 2017
Time: Daily at 10:30 and 14:30 during government school holidays; 1½ hours with a short intermission
Where: National Children’s Theatre, 3 Junction Avenue, Parktown, Johannesburg.
Tours To schools can be arranged
Ticket prices: Tickets for chairs are R120 and tickets for cushions are R100.00. Tickets for Pensioner’s are R100.00. Phone Claudy or Zuki on 011 484 -1584/5 or email firstname.lastname@example.org . There is ample free, safe parking available within the grounds. Note Booking is essential as some days we tour to schools.
FOR FURTHER INFORMATION
Visit our website on www.nationalchildrenstheatre.org.za
Follow us on Facebook: https://www.facebook.com/groups/117104588327503/ and keep up to date with production news on Twitter: https://twitter.com/NCTParktown and Instagram: https://instagram.com/nctparktown/
When a father of the house passed away he states on his will that he left 2.5 million for his son Zweli. Zoliswa the wife is not happy with that, because she was only given a house and then she decides to find ways to kill his son in order to get hold of the money. Zoliswa used Pastor Ngema to do the dirty work, she instructed Pastor Ngema to convince Zweli to transfer the money to her account. Zweli knew the set up and used his father’s old plan the Purple Apple to find the real truth.
Jittery Citizens perform a “Whose Line is It Anyway?” styles show. We play short form improv games based on suggestions from the students and teachers. Totally unrehearsed, totally unscripted, totally hilarious!
Jittery Citizens perform Long form Improv in which they create one long story using a series of short scenes based on audience suggestion. This improv format known as “Armando” starts with a storytelling-style monologue, based on an audience suggestion. After the monologue, players play improvised scenes inspired by the monologue, and the monologue may even continue, later on in the performance.
A story has many feet, but poet, musician and storyteller Gavin Bonner, a Londoner living in South Africa, gives it wings.
Take a memory of being told a tale – your mother reading you a bedtime story or an elder telling you ancient anecdotes around the fire, and refresh that with a new approach.
With the audience forming an arc three rows in front of him, Bonner appeared out of the pitch black Glennie Fest Centre Hall for his last Grahamstown festival show at 10 pm with a drumming ritual.
His first tale was inspired by a Congolese friend and former band member. The next one came from the room. Much as a slam poet or rapper is often tasked with creating verses out of of a word or situation, Bonner asked for random words from the audience and turned them into an improvised tale rich in rhyme.
The improvisation may go all over the place and take many forms, from being funny to poetic, but it always returns to its starting point and essence.
Here, Julius Malema can be a closet guitarist and Mugabe can be dethroned by the double sting of a bumble bee. The novelty is that you are not only a listener but a collaborator too.
When you hear your word settling in its character a warm spread of pride dances in your belly.
The other stories Bonner told are learnt. Some have moral lessons, some are big and others shorter than a minute.
Some are his experiences from his travels around the world. The drumming he uses as interludes has stories of its own. He plays interesting percussion such as the Moroccan drum (Bendir) and the Riq from Egypt which resembles a tambourine.
Now living in Cape Town, Bonner has been telling stories in this way for about nine months and he’s been a musician and poet for most of his life.
He combines, honours and subverts genres and has created a delightful style of his own that connects simply yet deeply.
He is planning a national tour and will be hitting Joburg stages soon with his new brand of art. For more information go to www.gavinbonner.com and check out his Facebook group, Storytelling South Africa, whch includes him and other storytellers.