Broken Vessel
Playright Aldo Brincat is that first-generation South African of Mauritian, Egyptian and Maltese heritage. Born in mid-60’s South Africa, Brincat, along with his family, find their maturing years playing out against the backdrop of a country in turmoil.
Aldo Brincat’s award winning hit, The Moon Looks Delicious From Here, is a 70 minute, largely autobiographical solo performance, which is driven by a loving father and son relationship – each from different eras and motherlands. Here, Brincat plays an array of characters in and around a fragile young nuclear family – some foreign, some local – all of whom are finding or losing themselves in the ever-changing political landscape that is South Africa. Language, religion, ambition, sexuality, and political leanings are brought into sharp focus as our two lead characters fight off ‘otherness’, while attempting to assert themselves into a volatile new country. Key moments in their lives are juxtaposed against powerful developments in South Africa’s history during the 70s and 80s and, as the effects of apartheid (and its homophobic policies) begin to reach boiling point, family ties threaten to tear apart.
The Moon Looks Delicious From Here is universal in its theme, particularly at this time when the intersectional knock-on effects of migrancy, sexuality, heritage and identity are brought increasingly into our consciousness.
Written and performed by the international multi award winning interdisciplinary artist, Aldo Brincat, and directed by Sjaka September, with music by the multi award winning international composer, performer and producer, Bongiziwe Mabandla.
Pass The Sound is a shared learning resource, offering free warm-up, skills, creative, and workshop exercises for musicians to use whilst facilitating group music-making contexts. For more information, visit the youtube channel.
Want to extend your bag of tricks? Here is an online games resource for youth ministers and other folks that need to know good group games!
“Dude! Wa’s My Phone?” is designed for high school students from Grade 10 to Grade 12 who are enrolled in Dramatic Arts. This age group is our main target audience, given the themes’ relatability, the cultural insights it offers, and its ability to captivate and educate a demographic highly connected to the challenges and opportunities associated with digital technology.
The play provides valuable insights and raises awareness about the consequences of smartphone addiction. Our interactive story creates an environment where young audiences are more receptive to messages encouraging a healthier balance between online and offline life.
“Dude! Wa’s My Phone?” utilizes humour, drama, and relatable situations to engage learners in a contemplative exploration of the role of technology in our lives. It delves into its impact on relationships, social consciousness, and the intricacies and absurdities that arise in the digital age. The production addresses the contemporary issue of smartphone addiction, examining the following themes:
- Addiction and Dependence on Technology
- Friendship and Connection
- The Intersection of Comedy and Tragedy
- Identity and Sense of Self
- Spark Dialogue and Reflection
Human beans, come to the theatre and allow your imagination to take flight! Follow Roald Dahl as a young boy and journey with him through Mrs Pratchett’s sweet shop, his early school years and meet his favourite teacher. Plunge into scrumdiddlyumtious worlds of dirty beasts; filthsome creatures, crocky-wocks and vitches. Get ready to take a leap, a jump, and fly with us through Dahl’s magical worlds.
Emily Jade was no ordinary child…
She was shy and timid but adventurous and wild.
She was odd-looking, unpopular but also quite smart,
Despite failing Science, Geography, Maths, History & Art.
You see, Emily could not stay focused – a major flaw –
She never stopped daydreaming – not ever, at all.
Young Emily, who always ‘has her head in the clouds’, decides to take up the challenge of ending the drought once and for all. She invents a marvellous machine which she flies across the African continent in search of rain clouds.
Physical theatre (Avril Cummins) combines with ‘documentary-style’ video footage, a simple, creative set, and heaps of imagination. This educational and whimsical fantasy delivers a strong message of hope, resilience and empowerment.
“The Cloud Catcher” has been performed across South Africa, including at the Assitej World Conference (2017), entertaining and educating young audiences about the drought affecting much of the country.
Performed by Avril Cummins
A story of loss, love and hope. A young girl is missing. A distraught mother searches for her and the brother is locked in the house to keep him safe. The community rallies together and the hilarious neighbour joins the search.
This show is dedicated to all the missing children in our country.
Die towersleutel neem vir Kalla, Biebie, Vlooi en Flappie op ‘n avontuur na ‘n bos waar die singende, kokende Draak woon. Flappie beland in haar kloue, en amper in haar pot! Leerders sien bekende lees-woorde op die verhoog as deel van die rekwisiete, en word op ‘n interaktiewe manier bekendgestel aan basiese teater-terme.